STORY BY STEPHEN J. THORNE
It’s unlikely that artist Alfred Munnings grasped the full significance his work would come to take on after Lord Beaverbrook invited him to paint Canadian military forces in France in 1918.
It was, after all, the swan song of the war horse as it had been known for centuries and Munnings, who specialized in equine and landscape art would, over the course of the war’s final months, create a priceless record of the cavalry’s last days serving in a widely integrated role on the battlefield.His moody, exquisitely subtle paintings also provide a rare glimpse into the workings of the Canadian Forestry Corps, which supplied the lumber for trench works, railways and other critical wartime infrastructure.
In its latest exhibition, the Canadian War Museum in Ottawa—home to the 15,000-piece Beaverbrook Collection of War Art—celebrates the work of the British-born painter whose subject matter would move from the fox hunts and refined equestrian ladies of his native England to the mud- and sweat-soaked workhorses and cavalry chargers of the Western Front.
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