Tag Archives: Canadian Studies Program UC Berkeley

Tomorrow: Student Research Showcase; BC backpedals on drug policy

An item from a fellow Canadian organization in the Bay Area.


Canadian Studies Announcements

In This Issue:

News from Canada

  • British Columbia re-criminalizes open drug use after public backlash

Upcoming Events

  • Student Research Showcase: Canadian Identities in Art

External Events

  • Ronnie Burkett Theatre of Marionettes: Wonderful Joe
  • Mykalle Bielinski: Warm Up (US premiere)
  • Erased, Displaced, Misplaced: Reclaiming [Asian Canadian] National Identity Through the Arts.
  • MSNBC’s Ali Velshi: A Legacy of Endurance and the Fight for Democracy
  • Conférence: La littérature et la chanson autochtones du Québec

Beginning next week, our newsletter will adopt an intermittent publishing schedule until the beginning of the Fall semester.

PROGRAM NEWS

British Columbia Re-Criminalizes Open Drug Use After Public Backlash

A landmark experiment in Canadian drug policy is ending early, after the Province of British Columbia announced Friday that it was scaling back its landmark decriminalization effort. The decision was taken in the face of widespread discontent with public drug use and disorder in cities across the province, and comes amid a wave of pushback against similar laws in jurisdictions across North America.

The law, which took effect in January of last year, gave British Columbia an exemption from Federal drug laws for a three-year trial period. It eliminated all penalties for possessing or using a wide variety of narcotics, including methamphetamines, heroin, and fentanyl. The law was viewed as a test case for the viability of decriminalization in Canada, closely watched from Ottawa and other provincial capitals.

But the experiment is will soon be over, as the Province announced it was working with the Federal government to reduce the scope of its exemptions. The new measure does not strictly criminalize drug use, which the provincial government will continue to permit within private residences or designated consumption sites. However, it reintroduces criminal penalties for public use and possession, with accompanying police enforcement. In his official statement, BC premier David Eby stated, “While we are caring and compassionate for those struggling with addiction, we do not accept street disorder that makes communities feel unsafe.”

The Province was forced to request Federal intervention after courts blocked provincial attempts to modify the decriminalization plan. In December, the Supreme Court of British Columbia blocked a law restricting drug use in public spaces, such as parks, public transit, and workplaces. The court sided with a coalition of drug users and advocates who argued that limiting drug use to certain locations would cause “irreparable harm” to users by isolating them from their communities.

British Columbia has long been at the center of Canada’s addiction crisis, with thousands dying annually of drug overdoses. Proponents argued that a radical new strategy was needed to address the issue, after enforcement tactics failed to halt an ever-increasing death toll. Founded on “harm reduction” principles, decriminalization aimed to limit done by damage problematic drug use, instead of forcing users to quit.

The government’s actions mark a stark reversal from a previous trend towards more liberal drug policies. At the time of its passing, the law was hailed by advocates, who argued that reducing stigma around drug use would decrease overdoses and make users more likely to seek treatment. When announcing the exemption, Federal mental health and addictions minister Carolyn Bennett said that she hoped the law would be a template for other jurisdictions in Canada.

However, just over a year later, decriminalization has failed to deliver the promised results, and public anger has overwhelmed early excitement. Overdose deaths in British Columbia reached a record high of 2,511 in 2023. Meanwhile, overdose calls, which actually decreased in 2022 for the first time in six years, surged 25% in 2023. (Proponents argue that the increase in calls is a sign the law is working, and that the increase in deaths is due to a surge in fentanyl use.)

BC’s partial repeal is the latest setback for advocates of progressive drug policies, who achieved a political high-water mark across the US and Canada during the Pandemic. Multiple high-profile policy victories have turned into high-profile defeats, as jurisdictions that liberalized their drug laws scramble to reversed course in the fact of voter dissatisfaction. In Oregon, a first-of-its-kind decriminalization law that passed with overwhelming voter approval in 2020 was repealed at the beginning of this month with little dissent. And in San Francisco, over 60% of voters approved a new law requiring mandatory drug screening for welfare recipients.

UPCOMING EVENTS

Student Research Showcase: Canadian Identities in Art

Tues., April 30 | 12:30 pm | 223 Philosophy Hall | RSVP

Learn about the research Canadian Studies funds through our Edward E. Hildebrand Graduate Research Fellowships, as recipients present overviews of their projects. This panel will explore how Canadian artists grapple with themes of “identity” in their work.

“Settler Colonial Wellness Fantasies and Transpacific Korean Diasporic Critique”

Claire Chun, PhD candidate, Ethnic Studies

Claire’s research explores how modern conceptualizations of “Korean” and “Asian” beauty, wellness, and aesthetics are shaped by overlapping forces of militarism, tourism, and humanitarianism. Her Hildebrand Fellowship field research in Toronto and Vancouver examined how Korea-born and Vancouver-based artist Jin-me Yoon’s work addresses and responds to ongoing colonial frontier-building violences that link the transpacific militarized geographies of Korea and Western Canada together.

“Seeking Sweet Beaver: On the Hunt for Joyce Wieland’s Canadian Nationalist Musk”

Madeleine Morris, PhD student, History of Art

Last summer, Madeleine traveled to three Canadian cities to track Canadian nationalist artist Joyce Wieland’s olfactory work Sweet Beaver. Looking at the context of Wieland’s 1971 exhibition True Patriot Love, Madeleine accessed archival documents to examine the use of the sensory in her exhibition. At Canadian art institutions, she also studied artworks by Group of Seven father Tom Thomson, a point of obsession for Wieland and important link for her ecocritical understanding of landscape amid her concerns over Canadian national identity that incorporated both anglophone and francophone Canadians.

If you require an accommodation to fully participate in an event, please let us know at least 7 days in advance.

EXTERNAL EVENTS

Ronnie Burkett Theatre of Marionettes: Wonderful Joe

May 1-4 | 8:00 pm | Stanford University | Tickets

Canadian puppeteer Ronnie Burkett returns to the Bay Area with a new Stanford Live-commissioned work examining the feelings of isolation and loneliness. When they are forced out of their home by gentrification, Wonderful Joe and his dog Mister go on a fantastic journey into the world in search of home. Dark and poetic, yet magical, the show exhibits Burkett’s mastery of his craft. In a review for the show’s world premiere in Edmonton earlier this month, the Edmonton Journal proclaimed “Wonderful Joe is, true to its name, wonderful. It’s pure magic from a veteran puppeteer bringing to life some fantastical characters to tell an important story.”

Mykalle Bielinski: Warm Up (US Premiere)

May 2-4 | 7:30 pm | San Francisco, CA | Tickets

When faced with a climate crisis, how do you stage an eco-responsible show? By producing your own electricity using a bike. Warm Up explores our relationship with nature through the lens of overconsumption by rethinking the act of making art. Drawn into a system that exploits her, Québécoise multidisciplinary artist Mykalle Bielinski explores the principles of de-growth and resilience through a ritual laden with mythological and political overtones. In this athletic and musical piece, science and fiction collide to inspire a paradigm shift on both the personal and societal level, and to offer paths of reconciliation for our world.

This show is presented by the San Francisco International Arts Festival, in collaboration with the San Francisco Bicycle Coalition. Members of the Canadian community can use the code CanQue20 for a 20% discount on tickets.

Erased, Displaced, Misplaced: Reclaiming [Asian Canadian] National Identity Through the Arts.

Tuesday, May 14 | 10:00 am | Online | RSVP

 

Rachel Wong (Seneca Polytechnic, Toronto) explores some of the conversations currently taking place within Asian Canadian literary and artistic circles as they relate to coalitional spaces and community building. Specifically, she looks at the Asian Canadian Writers Workshop – a group of writers, scholars, and activists – as well as a coop radio program from Vancouver titled Pender Guy. To do this, Wong first excavates a social history of the Asian Canadian community collective of artists, before addressing the present moment of Asian Canadian literature and situating it within the present CanLit moment and addressing the space it currently occupies.

This event is part of the “Populations Rendered ‘Surplus’ in Canada” series, sponsored by the Center for Canadian-American Studies at Western Washington University, Fairhaven College of Interdisciplinary Studies, The Ray Wolpow Institute, and The Foundation for WWU & Alumni

MSNBC’s Ali Velshi: A Legacy of Endurance and the Fight for Democracy

Tuesday, May 14 | 12:00 pm | San Francisco, CA | Tickets

Small acts of courage matter—and sometimes they change the world. More than a century ago, MSNBC host Ali Velshi’s great-grandfather sent his seven-year-old son to live at Gandhi’s ashram in South Africa. From childhood, Velshi’s grandfather was imbued with an ethos of public service and social justice, and a belief in absolute equality among all people – ideals that his children carried forward as they escaped apartheid, moving to Canada and the United States.

Velshi’s new book Small Acts of Courage taps into 125 years of family history to advocate for social justice as a living, breathing experience: a way of life more than an ideology. In a conversation with Canadian Consul General Rana Sarkar, Velshi will relate the stories of regular people who made a lasting commitment to fight for change, even when success seemed impossible, and explore how we can breathe new life into the principles of pluralistic democracy. This event will also be webcast live.

Conférence: La littérature et la chanson autochtones du Québec

Jeudi, 23 mai | 6:00 pm | San Francisco, CA | RSVP

Dans le cadre du programme Arts, Lettres et Communication, profil littérature et création, du cégep de Saint-Hyacinthe au Québec, en collaboration avec l’Alliance française de San Francisco, dix étudiants prononceront une conférence sur la littérature et la chanson autochtones du Québec. La poétesse Joséphine Bacon et l’artiste multidisciplinaire Samian seront à l’honneur lors de cette soirée. Les œuvres de ces artistes ont en commun les réalités des peuples des Premières Nations, c’est-à-dire le rapport particulier au territoire, les questions identitaires, plusieurs enjeux politico- historiques, etc. Le public aura aussi l’occasion de discuter avec les étudiants et les enseignantes après la conférence. Un vin d’honneur sera servi.

Canadian Studies Program

213 Philosophy Hall #2308

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Canadian Studies Program | Univ. of California, Berkeley213 Philosophy Hall #2308Berkeley, CA 94720

Happy Earth Day & Passover; Seeking a lost Canadian nationalist perfume

A newsletter from one of our fellow Canadian organizations in the Bay Area.


Canadian Studies Announcements

In This Issue:

Program News

  • Happy Earth Day, and happy Passover from Canadian Studies!
  • Hildebrand Fellow Madeleine Morris follows the scent of artist Joyce Wieland’s Canadian nationalist perfume

Upcoming Events

  • Student Research Showcase: Canadian Identities in Art

External Events

  • Ronnie Burkett Theatre of Marionettes: Wonderful Joe
  • Mykalle Bielinski: Warm Up (US premiere)
  • MSNBC’s Ali Velshi: A Legacy of Endurance and the Fight for Democracy

PROGRAM NEWS

Happy Earth Day…

 

Earth Day celebrates our planet and our pledge to preserve it for future generations. This year’s theme, “Planet vs. Plastics”, recognizes the challenge of a global plastic pollution crisis. All eyes are on Canada, as international leaders gather in Ottawa this week to discuss a global treaty on plastic waste. Canada is one of 60 countries proposing to end all plastic pollution by 2040. Meanwhile, a Canadian scientist hopes to reshape the future of plastic with a new material made from fish oil. We encourage our friends in the United States and Canada to learn more about ways that they can lower their environmental impact and reduce plastic waste, to keep our planet clean and healthy.

… and Happy Passover!

Canadian Studies wishes a very happy Passover to our Jewish friends across the United States and Canada. The eight-day long festival celebrates the Biblical Exodus of the Israelites from slavery in Egypt. As Prime Minister Trudeau’s official statement notes, this Passover comes at a difficult time for many Jews; nevertheless, while the holiday acknowledges the many persecutions of the Jewish people, it also affirms their resilience. We wish a peaceful celebration to all: Chag Pesach sameach! Images by Freepik.

Hildebrand Fellow Madeleine Morris Follows the Scent of Artist Joyce Wieland’s Canadian Nationalist Perfume

Madeleine Morris is a second-year PhD student in the History of Art Department. She holds a BA in Studio Art and Italian from Vassar College and an MA in Art History from the Institute of Fine Art, NYU. Her research focuses on twentieth century North America, modernisms, and olfactory art. She received a Hildebrand Graduate Research Fellowship in Summer 2023 to study Canadian nationalist artist Joyce Wieland’s landmark exhibition True Patriot Love with an emphasis on her olfactory artwork Sweet Beaver.

Joyce Wieland was a groundbreaking Canadian multimedia artist active in the 1960s and ’70s. The Hildebrand Fellowship helped me make significant strides in understanding Wieland and her Canadian nationalism through access to archives, artworks, and in location context. I was particularly interested in Wieland’s only olfactory artwork, a homemade perfume titled Sweet Beaver. I had previously undertaken several unsuccessful projects to find visual evidence of the artwork’s existence, and its importance to the artist. The Hildebrand Fellowship allowed me to visit Canadian art institutions, where I found more documentation than I had hoped for. I travelled to several different archives and museums to access non-digitized records that offered details about this understudied and powerful artwork.

Through my evolving research on North American olfactory art, aesthetics, and modernism, Wieland’s perfume stands out as a potent intervention in the museum space. She used it to change the tone and environment of her landmark 1971 exhibition True Patriot Love, the first ever solo show of a living female Canadian artist at the National Gallery of Canada. The work and the exhibition together form a unique and potent collision of nationalism and olfactory aesthetics. Sources in publication and online were scant. But at the National Gallery’s archives in Ottawa, I was granted access to numerous boxes on this exhibition. The documents provided information I had not encountered about other sensory elements in the exhibition, including a pond with live ducks; the details of the Arctic Passion Cake, a cake she commissioned that sat in the exhibition to droop and melt over time; and archival images of her interacting with the work, attending the show opening, and interviews about her process. Stationary emblazoned with “Sweet Beaver” and photographs from press clippings demonstrated the importance of this olfactory artwork to the artist and its impact on the public experience of True Patriot Love.

The Hildebrand Fellowship also gave me access to another rich trove of archival materials at the Art Gallery of Ontario in Toronto. In this archive I discovered the rare exhibition book for True Patriot Love (an artwork in itself) and found documents about the continued existence of Sweet Beaver and its whereabouts up to 2003, as well as some of the art collections it entered.

At the AGO, I was able to delve more deeply into unpacking Wieland’s Canadian nationalism, and the inspiration she took from noted landscape painter and father of the Group of Seven, Tom Thomson. Wieland’s obsession with Thomson, as evidenced by her drawings and photographs of him in the True Patriot Love book and his role in her film The Far Shore, came more clearly into light when I saw the extensive collection of his paintings at both the AGO and National Gallery. His small yet muscular sketches, searching lines, and carefully observed landscapes captured a vision of the Canada that captivated the nation, Wieland, and me.

I found more of his paintings and those of his contemporaries at the Musée des Beaux-Arts in Montreal. This museum offered more of Thomson’s works. It also contained works by the Beaver Hall Group, the Quebecois answer to Ontario’s Group of Seven, providing more insight into the art historical landscape across the English-French divide. Examining this aspect of Canadian culture helped shed light on Wieland’s efforts to grapple with Pierre Elliot Trudeau’s nationalist unifying endeavor. This permitted expanded opportunities for visual analysis of Thomson’s artworks and connections to Wieland’s reinterpretation of the Canadian landscape. Both artists’ ecocritical depictions of landscape stake quiet claims for preservation of Canadian wilderness, even as Thomson’s body of work helped spark interest in expanding development further North to tap into the potential of the available, “untouched” North (a fallacy that excludes Indigenous populations and prioritizes human industry above all other land uses). At these art institutions, I also encountered several Wieland artworks and films I had not been able to view previously, including Rat Life and Diet in North America, a pivotal film in her oeuvre, and Confedspread, a multimedia collage work whose plastic textures and hidden Canadian flags do not read as easily in reproduction.

UPCOMING EVENTS

Student Research Showcase: Canadian Identities in Art

Tues., April 30 | 12:30 pm | 223 Philosophy Hall | RSVP

Learn about the research Canadian Studies funds through our Edward E. Hildebrand Graduate Research Fellowships, as recipients present overviews of their projects. This panel will explore how Canadian artists grapple with themes of “identity” in their work.

“Settler Colonial Wellness Fantasies and Transpacific Korean Diasporic Critique”

Claire Chun, PhD candidate, Ethnic Studies

Claire’s research explores how modern conceptualizations of “Korean” and “Asian” beauty, wellness, and aesthetics are shaped by overlapping forces of militarism, tourism, and humanitarianism. Her Hildebrand Fellowship field research in Toronto and Vancouver examined how Korea-born and Vancouver-based artist Jin-me Yoon’s work addresses and responds to ongoing colonial frontier-building violences that link the transpacific militarized geographies of Korea and Western Canada together.

“Seeking Sweet Beaver: On the Hunt for Joyce Wieland’s Canadian Nationalist Musk”

Madeleine Morris, PhD student, History of Art

Last summer, Madeleine traveled to three Canadian cities to track Canadian nationalist artist Joyce Wieland’s olfactory work Sweet Beaver. Looking at the context of Wieland’s 1971 exhibition True Patriot Love, Madeleine accessed archival documents to examine the use of the sensory in her exhibition. At Canadian art institutions, she also studied artworks by Group of Seven father Tom Thomson, a point of obsession for Wieland and important link for her ecocritical understanding of landscape amid her concerns over Canadian national identity that incorporated both anglophone and francophone Canadians.

If you require an accommodation to fully participate in an event, please let us know at least 7 days in advance.

EXTERNAL EVENTS

Ronnie Burkett Theatre of Marionettes: Wonderful Joe

May 1-4 | 8:00 pm | Stanford University | Tickets

Canadian puppeteer Ronnie Burkett returns to the Bay Area with a new Stanford Live-commissioned work examining the feelings of isolation and loneliness. When they are forced out of their home by gentrification, Wonderful Joe and his dog Mister go on a fantastic journey into the world in search of home. Dark and poetic, yet magical, the show exhibits Burkett’s mastery of his craft. In a review for the show’s world premiere in Edmonton earlier this month, the Edmonton Journal proclaimed “Wonderful Joe is, true to its name, wonderful. It’s pure magic from a veteran puppeteer bringing to life some fantastical characters to tell an important story.”

Mykalle Bielinski: Warm Up (US Premiere)

May 2-4 | 7:30 pm | San Francisco, CA | Tickets

When faced with a climate crisis, how do you stage an eco-responsible show? By producing your own electricity using a bike. Warm Up explores our relationship with nature through the lens of overconsumption by rethinking the act of making art. Drawn into a system that exploits her, Québécoise multidisciplinary artist Mykalle Bielinski explores the principles of de-growth and resilience through a ritual laden with mythological and political overtones. In this athletic and musical piece, science and fiction collide to inspire a paradigm shift on both the personal and societal level, and to offer paths of reconciliation for our world.

This show is presented by the San Francisco International Arts Festival, in collaboration with the San Francisco Bicycle Coalition. Members of the Canadian community can use the code CanQue20 for a 20% discount on tickets.

MSNBC’s Ali Velshi: A Legacy of Endurance and the Fight for Democracy

Tuesday, May 14 | 12:00 pm | San Francisco, CA | Tickets

Small acts of courage matter—and sometimes they change the world. More than a century ago, MSNBC host Ali Velshi’s great-grandfather sent his seven-year-old son to live at Gandhi’s ashram in South Africa. From childhood, Velshi’s grandfather was imbued with an ethos of public service and social justice, and a belief in absolute equality among all people – ideals that his children carried forward as they escaped apartheid, moving to Canada and the United States.

Velshi’s new book Small Acts of Courage taps into 125 years of family history to advocate for social justice as a living, breathing experience: a way of life more than an ideology. In a conversation with Canadian Consul General Rana Sarkar, Velshi will relate the stories of regular people who made a lasting commitment to fight for change, even when success seemed impossible, and explore how we can breathe new life into the principles of pluralistic democracy. This event will also be webcast live.

Canadian Studies Program

213 Philosophy Hall #2308

WEBSITE | EMAIL | DONATE

Facebook  Twitter
Canadian Studies Program | Univ. of California, Berkeley213 Philosophy Hall #2308Berkeley, CA 94720

Exploring a complicated Asian-Canadian narrative through art

A newsletter from one of our fellow Canadian organizations in the Bay Area.


Canadian Studies Announcements

In This Issue:

Program News

  • Hildebrand Fellow Claire Chun explores how artist Jin-me Yoon illuminates complexities of Asian-Canadian identity

Upcoming Events

  • Sodomy and Settler Self-Government in the Canadian Colonies
  • Student Research Showcase: Canadian Identities in Art

External Events

  • Emerging Morphological Patterns in Non-Binary French Noun Formation
  • Michael Ondaatje: A Year of Last Things: Poems

PROGRAM NEWS

Hildebrand Fellow Claire Chun Explores How Artist Jin-me Yoon Illuminates Complexities of Asian-Canadian Identity

Claire Chun is a PhD candidate in the Department of Ethnic Studies at UC Berkeley. Her dissertation research examines the ways that Asian North American diasporic art and media critically engage issues of settler colonial and militarized imperial violence. Claire received a 2023 Hildebrand Graduate Research Fellowship to conduct fieldwork in Canada, examining how artists complicate notions of “Asianness” and grapple with the complexities of living and working in a settler-colonial society.

With the generous support of the Canadian Studies Program, I conducted four weeks of fieldwork in Vancouver and Toronto during Summer 2023. As part of my ongoing research on Korean diasporic visual cultures, I wanted to explore how Asian Canadian visual culture negotiates and is animated by histories of settler, imperial, and environmental violence alongside ongoing Indigenous sovereignty struggles.

Through archival research, place-based observations, and site visits, my field research set out to examine, in Iyko Day’s words, “whether it is possible to view Asian Canada as a social category that is part of a distinctly Canadian racial formation, one that cannot be seen through the US prism of race”. In other words, my research asks: What can Asian Canadian aesthetic practices teach us about the particularities of Canadian racial formation? And how might a critical interrogation of Canadian race-making histories interrupt Asian “settler moves to innocence” as Eve Tuck and K. Wayne Yang put it?

To begin answering these questions, I first traveled to Toronto where I visited and viewed Korea-born and Vancouver-based artist Jin-me Yoon’s retrospective at The Image Centre, which commemorated her 2023 Scotiabank Photography Award win. It was an incredibly significant and timely exhibition that shifted the very terms of my later fieldwork in Vancouver. At Yoon’s retrospective, I was able to view her monumental photographic portrait series, A Group of Sixty-Seven (1996) and other seminal works alongside new art. My trip to The Image Centre allowed me to take stock of my own viewing reactions as well as those of other visitors to the gallery space. While in Toronto viewing Yoon’s exhibition on the traditional territories of the Anishinaabeg, the Haudenosaunee, the Mississaugas, and the Wendat peoples, I traced the ways that Yoon’s artistic career has been in dialogue with the ongoing histories of Asian settler colonialism and Asian Canadian diasporic cultural production.

This participatory viewing experience informed and shaped the field research I did in Vancouver the following month. After viewing Jin-me Yoon’s retrospective, I revised the scope of my archive by narrowing my textual analysis to Yoon’s body of work. Through a trained focus on selected artworks, I heightened my attention to the place-based politics of her aesthetic practice. In Vancouver, I visited the Maplewood Flats Conservation Area, located within the unceded territory of the Tsleil-Waututh Nation, which is also at the center of Yoon’s recent works, including Dreaming Birds Know No Borders (2021) and Becoming Crane (Pacific Flyways) (2022). I spent time walking along the trails, and observing how the conservation area relates to the looming Burnaby Refinery, located right across Burrard Inlet. I also spent time at the specific site of Yoon’s Becoming Crane series, because I felt it was important to experience Yoon’s work as an animating force where nature and the environment are collaborative actors and participants.

This focus on the place-based specificity of Yoon’s work heightened my attention to the cultural and ecological significance of Western Canada in shaping settler colonial frontier-building fantasies and tourism projects in the late nineteenth century. I followed this line of inquiry to the archives. At the Wallace B. Chung and Madeline H. Chung Collection at the University of British Columbia, I closely examined pre-war tourism materials from the Canadian Pacific Railway Company. My research in the archives provided me with the historical context needed to comprehensively grapple with the stakes of Yoon’s work, specifically Souvenirs of the Self (1991), Long View (2017), and Testing Ground (2019), which directly address how the settler colonial logics of Canadian tourism obscure the ongoing transpacific violences that link the militarized geographies of Korea and Canada together.

My field research in Canada ultimately served as a major step not only in my methodological considerations of how to bring place-based fieldwork, archival research, and close readings of visual art together, but also in my critical exploration of how Asian Canadian artists grapple with histories of diasporic displacement and migration in relation to ongoing settler, imperial, and environmental contestations.

UPCOMING EVENTS

Sodomy and Settler Self-Government in the Canadian Colonies

Tues., April 16 | 12:30 pm | 223 Philosophy Hall | RSVP

This talk will explore the history of anti-sodomy legislation and its historical consequences in early 19th-century Canada. It argues that the new anti-sodomy statutes sanctioned by the then-new United Province of Canada in 1841 and 1842 reveal an unsettled understanding of the implications of queerness upon settler-colonial manhood. It highlights the complexities surrounding the anti-sodomy debates and their relation to the 1842 capital sodomy trials of Samuel Moore and Patrick Kelly. While the shifting sexual politics of the empire underscores an emerging consensus among colonial legislators that perceived queer sex and individuals as a threat to the colonial project, the cases of Moore and Kelly and Governor General Bagot’s moderate response demonstrate that dissenting voices did exist. By contextualizing these events within a broader trans-imperial framework, the talk will reveal competing understandings of same-gender sex, highlight the intersections of power and privilege, and expose efforts to orient the sexual structures of settler society in 1840s Canada toward straightness.

About the Speaker

Dr. Jarett Henderson is a lecturer in the Department of History at UC Santa Barbara, where he coordinates the Gender + Sexualities Research Cluster. His research explores the history of gender and sexuality in Canada and the wider British Empire. Dr. Henderson earned his PhD in Canadian history from York University in Toronto, and his MA and BA in history from the University of Manitoba. Before arriving in California, Dr. Henderson was an associate professor of history at Mount Royal University in Calgary. His current book project, Unnatural Sex and Uncivil Subjects: A Queer History of Straight Settler State Making in Early Canada, examines the debates over the implementation of white settler self-government in the Canadian colonies alongside efforts to re-criminalize sex between men in the first half of the nineteenth century.

Student Research Showcase: Canadian Identities in Art

Tues., April 30 | 12:30 pm | 223 Philosophy Hall | RSVP

Learn about the research Canadian Studies funds through our Edward E. Hildebrand Graduate Research Fellowships, as recipients present overviews of their projects. This panel will explore how Canadian artists grapple with themes of “identity” in their work.

“Settler Colonial Wellness Fantasies and Transpacific Korean Diasporic Critique”

Claire Chun, PhD candidate, Ethnic Studies

Claire’s research explores how modern conceptualizations of “Korean” and “Asian” beauty, wellness, and aesthetics are shaped by overlapping forces of militarism, tourism, and humanitarianism. Her Hildebrand Fellowship field research in Toronto and Vancouver examined how Korea-born and Vancouver-based artist Jin-me Yoon’s work addresses and responds to ongoing colonial frontier-building violences that link the transpacific militarized geographies of Korea and Western Canada together.

“Seeking Sweet Beaver: On the Hunt for Joyce Wieland’s Canadian Nationalist Musk”

Madeleine Morris, PhD student, History of Art

Last summer, Madeleine traveled to three Canadian cities to track Canadian nationalist artist Joyce Wieland’s olfactory work Sweet Beaver. Looking at the context of Wieland’s 1971 exhibition True Patriot Love, Madeleine accessed archival documents to examine the use of the sensory in her exhibition. At Canadian art institutions, she also studied artworks by Group of Seven father Tom Thomson, a point of obsession for Wieland and important link for her ecocritical understanding of landscape amid her concerns over Canadian national identity that incorporated both anglophone and francophone Canadians.

If you require an accommodation to fully participate in an event, please let us know at least 7 days in advance.

EXTERNAL EVENTS

Emerging Morphological Patterns in Non-Binary French Noun Formation

Wednesday, April 17 | 11:30 am PT | Online | RSVP

Canadian Studies is pleased to announce that our Hildebrand Fellow Jennifer Kaplan will give a talk as part of the “Populations Rendered ‘Surplus’ in Canada” series, sponsored by the Center for Canadian-American Studies at Western Washington University. Jennifer is a fourth-year PhD student in the Romance Languages and Literatures Program at UC Berkeley. Her work focuses on queer linguistics, with special attention to the evolving use of inclusive, non-binary, and neutral language in Romance languages. She has published on the competing morphological systems of inclusive French; her current work is focused on language attitudes among trans, non-binary, and genderqueer Montrealers.

Michael Ondaatje: A Year of Last Things: Poems

Wed., Apr. 17 | 7:00 pm | San Rafael, CA | Tickets

Acclaimed Canadian writer Michael Ondaatje will visit the Bay Area this month to talk about his new poetry collection, A Year of Last Things. One of the Globe and Mail’s most anticipated books of 2024, the collection is Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. From Sri Lanka to the California coast and his beloved Canadian rivers, Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him.

This event is hosted by the Institute for Leadership Studies at Dominican University of California and Book Passage. A copy of the book will be included with ticket purchase.

Canadian Studies Program

213 Philosophy Hall #2308

WEBSITE | EMAIL | DONATE

Facebook  Twitter
Canadian Studies Program | Univ. of California, Berkeley213 Philosophy Hall #2308Berkeley, CA 94720

Is Toronto’s housing strategy working? Our research fellow weighs in

An item from one of our fellow Canadian organizations in the Bay Area.


Canadian Studies Announcements

In This Issue:

Program News

  • Hildebrand Fellow Allison Evans assesses effectiveness of Toronto’s housing affordability strategy

Upcoming Events

  • Sodomy and Settler Self-Government in the Canadian Colonies

Academic Opportunities

  • Call for papers: American Council for Québec Studies Biennial Conference

External Events

  • Resurgence: Bridging Existing Curricula with Indigenous Voices and Pedagogies
  • Emerging Morphological Patterns in Non-Binary French Noun Formation
  • Michael Ondaatje: A Year of Last Things: Poems

PROGRAM NEWS

Hildebrand Fellow Allison Evans Assesses Effectiveness of Toronto’s Housing Affordability Strategy

Allison Evans is a second year PhD student in the Department of City & Regional Planning at UC Berkeley. She previously studied at York University in Toronto. Her research focuses on the intersection of urban housing and politics, including how people navigate an increasingly unaffordable housing landscape. Allison received the Hildebrand Graduate Research Fellowship in Summer 2023 to study the efficacy of the City of Toronto’s Housing Now policy.

I studied the City of Toronto’s Housing Now policy during the summer of 2023 with the generous support of the Canadian Studies Program. Perhaps the greatest surprise of my research was the lack of policy movement during the pandemic. Many media articles scrutinized the city for its inability to produce affordable housing as quickly as the policy’s name implied. In addition, a mayoral crisis led to a sudden shift in leadership, ushering in new housing plans alongside the existing policies. Despite these setbacks, I met with several housing advocates, and I learned a great deal about the timeline of the policy and the role of activism in holding politicians to campaign promises regarding affordable housing.

The Hildebrand Fellowship allowed me to travel to Toronto to conduct my field research. This included networking with local housing advocates who created and continue to operate HousingNowTO, a largely social-media-based urban movement comprised of planners, architects, data scientists, and other urbanists. Members of the group review city planning and policies and often recommend changes to the city’s development proposals, zoning by-laws, and built-form guidelines to enhance access to affordable housing. In addition, I consulted literature about land value capture, a topic primarily explored from global South perspectives. The Housing Now program’s land leases, surplus land use, cross-subsidies, and public-private partnership structure are key policy elements. Thus, the program offers a rare example of land value capture in the global North, despite the lack of land value capture language in the policy documents.

I conducted six semi-structured interviews with members of HousingNowTO. I learned that they are committed to holding the City of Toronto to its policies, and they continue to push for increased densities beyond the current zoning by-laws and built-form guidelines to provide more affordable housing. Since the city’s key mechanism to provide affordability is private market rentals and ownership units, the more units available at market rate theoretically provide more housing units below average market rates. The group also works with various student groups at Toronto Metropolitan University and the University of Toronto. These student groups select additional surplus land in the city and develop detailed pro formas to demonstrate the viability and encourage the city to add the sites to its affordable-housing-ready roster. I also accompanied the HousingNowTO group on an affordable housing bike tour with a mayoral candidate, which was an exciting opportunity.

Based on my preliminary research activities, I hope to eventually write two papers. The first will examine the land value capture aspects of the Housing Now policy and its current trajectory since the city finally broke ground on its first site in July 2023. The second paper will examine “urban technician” movements and the role of groups like HousingNowTO in impacting city policy through their advocacy, including the various channels used to spread their message and their connections to broader housing movements. I also plan to return to Canada this summer to supplement my research with a study of encampment formation in a small Ontario town.

UPCOMING EVENTS

Sodomy and Settler Self-Government in the Canadian Colonies

Tues., April 16 | 12:30 pm | 223 Philosophy Hall | RSVP

This talk will explore the history of anti-sodomy legislation and its historical consequences in early 19th-century Canada. It argues that the new anti-sodomy statutes sanctioned by the then-new United Province of Canada in 1841 and 1842 reveal an unsettled understanding of the implications of queerness upon settler-colonial manhood. It highlights the complexities surrounding the anti-sodomy debates and their relation to the 1842 capital sodomy trials of Samuel Moore and Patrick Kelly. While the shifting sexual politics of the empire underscores an emerging consensus among colonial legislators that perceived queer sex and individuals as a threat to the colonial project, the cases of Moore and Kelly and Governor General Bagot’s moderate response demonstrate that dissenting voices did exist. By contextualizing these events within a broader trans-imperial framework, the talk will reveal competing understandings of same-gender sex, highlight the intersections of power and privilege, and expose efforts to orient the sexual structures of settler society in 1840s Canada toward straightness.

About the Speaker

Dr. Jarett Henderson is a lecturer in the Department of History at UC Santa Barbara, where he coordinates the Gender + Sexualities Research Cluster. His research explores the history of gender and sexuality in Canada and the wider British Empire. Dr. Henderson earned his PhD in Canadian history from York University in Toronto, and his MA and BA in history from the University of Manitoba. Before arriving in California, Dr. Henderson was an associate professor of history at Mount Royal University in Calgary. His current book project, Unnatural Sex and Uncivil Subjects: A Queer History of Straight Settler State Making in Early Canada, examines the debates over the implementation of white settler self-government in the Canadian colonies alongside efforts to re-criminalize sex between men in the first half of the nineteenth century.

If you require an accommodation to fully participate in an event, please let us know at least 7 days in advance.

ACADEMIC OPPORTUNITIES

Call for Papers: American Council for Québec Studies Biennial Conference

Deadline: May 1, 2024

The American Council for Québec Studies invites proposals for papers and panels for their upcoming conference from October 3-6, 2024. ACQS welcomes and will consider proposals related to any aspect of Québec studies, including Québec’s diasporas and the Francophone presence in the Americas. The conference is open to a wide range of approaches across the social and physical sciences and humanities. Submissions of both individual papers and complete panels are encouraged, and conference presentations can be made in French or English.

Graduate students and junior faculty are invited to apply to the Emerging Scholars Colloquium. Selected participants are mentored by senior scholars in the field and benefit from close connections with other graduate students and junior faculty. Acceptance into the colloquium is competitive, and is supported by a generous travel stipend, complimentary conference registration, and a two-year membership in ACQS.

For more information, or to submit an abstract, please click here.

EXTERNAL EVENTS

Resurgence: Bridging Existing Curricula with Indigenous Voices and Pedagogies

Monday, April 15 | 4:00 pm PT | Online | RSVP

In this session, Anishinaabe educator Christine M’Lot will share collectively generated wisdom and knowledge from her groundbreaking textbook, Resurgence. This inspiring collection of contemporary Indigenous poetry, art, and narratives serves as a vital resource for K-12 teachers seeking to bridge existing curricula with Indigenous voices and pedagogies. Designed especially for educators, this session will provide valuable insights into Indigenous education, Indigenous content suitable for your classrooms, and Indigenous learning processes.

This session is part of the series “The Canadian Mosaic: Material & Methods for Teaching Multicultural Canada Spring 2024 Series”, organized by the Canadian-American Center at the University of Maine; the Center for the Study of Canada & Institute on Québec Studies at SUNY Plattsburgh; and the Center for Canadian-American Studies at Western Washington University.

Emerging Morphological Patterns in Non-Binary French Noun Formation

Wednesday, April 17 | 11:30 am PT | Online | RSVP

Canadian Studies is pleased to announce that our Hildebrand Fellow Jennifer Kaplan will give a talk as part of the “Populations Rendered ‘Surplus’ in Canada” series, sponsored by the Center for Canadian-American Studies at Western Washington University. Jennifer is a fourth-year PhD student in the Romance Languages and Literatures Program at UC Berkeley. Her work focuses on queer linguistics, with special attention to the evolving use of inclusive, non-binary, and neutral language in Romance languages. She has published on the competing morphological systems of inclusive French; her current work is focused on language attitudes among trans, non-binary, and genderqueer Montrealers.

Michael Ondaatje: A Year of Last Things: Poems

Wed., Apr. 17 | 7:00 pm | San Rafael, CA | Tickets

Acclaimed Canadian writer Michael Ondaatje will visit the Bay Area this month to talk about his new poetry collection, A Year of Last Things. One of the Globe and Mail’s most anticipated books of 2024, the collection is Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. From Sri Lanka to the California coast and his beloved Canadian rivers, Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him.

This event is hosted by the Institute for Leadership Studies at Dominican University of California and Book Passage. A copy of the book will be included with ticket purchase.

Canadian Studies Program

213 Philosophy Hall #2308

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Canadian Studies Program | Univ. of California, Berkeley213 Philosophy Hall #2308Berkeley, CA 94720

A big thank-you for Big Give; plus, new events you won’t want to miss!

An item from one of our fellow Canadian organizations in the Bay Area.


Canadian Studies Announcements

In This Issue:

Program News

  • Big Give 2024 results: Another outsized success, thanks to our Canadian Studies community!

Upcoming Events

  • Sodomy and Settler Self-Government in the Canadian Colonies

Academic Opportunities

  • Last call for papers: Populations rendered “Surplus” in Canada

External Events

  • Harvard University Native American Program Annual Lecture: A Conversation with Paulina Alexis
  • Resurgence: Bridging Existing Curricula with Indigenous Voices and Pedagogies
  • Michael Ondaatje: A Year of Last Things: Poems

PROGRAM NEWS

Big Give 2024: Another Outsized Success, Thanks to our Canadian Studies Community!

The preliminary numbers are in, and they show that Canadian Studies continues to set the standard for small-unit community fundraising here at Berkeley. We’re excited to announce that Canadian Studies raised at least $33,270 from 31 donors. For context, that’s about 12% of all the money raised by the 120+ centers in Berkeley’s Research Division!

We here at Canadian Studies are so thankful to have a community like you. Your committed support is the reason we’re able to punch so far above our weight. And while donations are a crucial part of that, they’re only one of the ways that you consistently show up for us. Whether by attending our events, doing research, or telling your friends about Canadian Studies, there’s so much you do all year round that help us spread knowledge of Canada. So from all of us at the Program, thank you for making the big day so special!

UPCOMING EVENTS

Sodomy and Settler Self-Government in the Canadian Colonies

Tues., April 16 | 12:30 pm | 223 Philosophy Hall | RSVP

This talk will explore the history of anti-sodomy legislation and its historical consequences in early 19th-century Canada. It argues that the new anti-sodomy statutes sanctioned by the then-new United Province of Canada in 1841 and 1842 reveal an unsettled understanding of the implications of queerness upon settler-colonial manhood. It highlights the complexities surrounding the anti-sodomy debates and their relation to the 1842 capital sodomy trials of Samuel Moore and Patrick Kelly. While the shifting sexual politics of the empire underscores an emerging consensus among colonial legislators that perceived queer sex and individuals as a threat to the colonial project, the cases of Moore and Kelly and Governor General Bagot’s moderate response demonstrate that dissenting voices did exist. By contextualizing these events within a broader trans-imperial framework, the talk will reveal competing understandings of same-gender sex, highlight the intersections of power and privilege, and expose efforts to orient the sexual structures of settler society in 1840s Canada toward straightness.

About the Speaker

Dr. Jarett Henderson is a lecturer in history at UC Santa Barbara, where he coordinates the Gender + Sexualities Research Cluster. His research explores the history of gender and sexuality in Canada and the wider British Empire. Dr. Henderson earned his Ph.D. in Canadian history from York University in Toronto, and his MA and BA in history from the University of Manitoba. Before arriving in California, Dr. Henderson was an associate professor of history at Mount Royal University in Calgary. His current book project, Unnatural Sex and Uncivil Subjects: A Queer History of Straight Settler State Making in Early Canada, examines the debates over the implementation of white settler self-government in the Canadian colonies alongside efforts to re-criminalize sex between men in the first half of the nineteenth century.

If you require an accommodation to fully participate in an event, please let us know at least 7 days in advance.

ACADEMIC OPPORTUNITIES

Call For Papers: Populations Rendered “Surplus” in Canada

Deadline: Monday, April 15

Social Sciences, an open-access, peer-reviewed journal, has put out a call for papers for a special edition in Canadian studies. Titled Populations Rendered “Surplus” in Canada, this issue seeks to address the challenges faced by Canada’s displaced, marginalized, erased, racialized, and disadvantaged populations.

The edition will be guest edited by Christina Keppie, director for the Center for Canadian-American Studies at Western Washington University. Submissions from all fields and disciplines related to the social sciences are encouraged, and a multi- or interdisciplinary approach is welcome.

Click here to learn more.

EXTERNAL EVENTS

Harvard University Native American Program Annual Lecture: A Conversation with Paulina Alexis

Thursday, April 4 | 3:00 pm PT | Online | Watch here

Join the Harvard University Native American Program (HUNAP) for a conversation with Paulina Alexis. Alexis is an actress, artist, and proud member of the Stoney tribe of the Alexis Nakota Sioux Nation in central Alberta, Canada, where she was raised. She is best known for her role as Willie Jack in the series Reservation Dogs.

This event will be livestreamed. To tune in, click the link above at 3:00 pm PT (6:00pm ET). A recording of the livestream will be available on this page after the event.

This event is made possible with support from The Clara E. and John H. Ware Jr. Foundation; ArtsThursdays, supported by the Harvard University Committee on the Arts (HUCA); The Weatherhead Canada Program; and the Harvard Art Museums.

Resurgence: Bridging Existing Curricula with Indigenous Voices and Pedagogies

Monday, April 15 | 4:00 pm PT | Online | RSVP

In this session, Anishinaabe educator Christine M’Lot will share collectively generated wisdom and knowledge from her groundbreaking textbook, Resurgence. This inspiring collection of contemporary Indigenous poetry, art, and narratives serves as a vital resource for K-12 teachers seeking to bridge existing curricula with Indigenous voices and pedagogies. Designed especially for educators, this session will provide valuable insights into Indigenous education, Indigenous content suitable for your classrooms, and Indigenous learning processes.

This session is part of the series “The Canadian Mosaic: Material & Methods for Teaching Multicultural Canada Spring 2024 Series”, organized by the Canadian-American Center at the University of Maine; the Center for the Study of Canada & Institute on Québec Studies at SUNY Plattsburgh; and the Center for Canadian-American Studies at Western Washington University.

Michael Ondaatje: A Year of Last Things: Poems

Wed., Apr. 17 | 7:00 pm | San Rafael, CA | Tickets

Acclaimed Canadian writer Michael Ondaatje will visit the Bay Area this month to talk about his new poetry collection, A Year of Last Things. One of the Globe and Mail’s most anticipated books of 2024, the collection is Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. From Sri Lanka to the California coast and his beloved Canadian rivers, Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him.

This event is hosted by the Institute for Leadership Studies at Dominican University of California and Book Passage. A copy of the book will be included with ticket purchase.

Canadian Studies Program

213 Philosophy Hall #2308

WEBSITE | EMAIL | DONATE

Facebook  Twitter
Canadian Studies Program | Univ. of California, Berkeley213 Philosophy Hall #2308Berkeley, CA 94720