Walter Seymour Allward’s “Ivstitia” (Justice) statue stands in front of the Supreme Court of Canada building in Ottawa. [Marc Bruxelle/istock]

Vimy’s inspiration: How the creator of Canada’s great overseas memorial developed his daring artistry at home

STORY BY RICHARD FOOT

Later this summer, one of Canada’s architectural treasures, the Supreme Court of Canada building on Ottawa’s Wellington Street, will shut down for much-needed restoration work.

Amid the 10-year, $1-billion project to restore the structure, care will also be taken to preserve its character, including two bronze statues guarding the main entrance—“Veritas” (Truth) and “Ivstitia” (Justice)—designed by Walter Seymour Allward, the artistic genius who also created the Canadian National Vimy Memorial.

The statues are a reminder that one doesn’t have to cross an ocean to experience the splendour of Allward’s work—there are examples of it throughout Ontario. They also show that the radical vision Allward expressed at Vimy was developed steadily over his career in Canada, an evolution evident in many of his public artworks still standing on home soil today.

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Tanks and infantry advance through the ruins of Ortona. [LAC]

Anthropologist Ian Cosh on his new book on Ortona veterans

STORY BY ALEX BOWERS

It was 1998 when anthropologist Ian Cosh embarked on the trip of a lifetime. The researcher had learned that a reunion of Canadian Second World War veterans, old soldiers of Italian battlefields, would soon meet former enemies at the revered site of Ortona.

It was there in December 1943 that an immense struggle had transformed a once-sleepy, largely unknown town into a sea of rubble, a devastating urban battle long etched into the minds of many aging attendees. Fifty-five years later, the veterans were returning to a scene of lingering wounds.

Cosh would be there to witness it. No stranger to Italy himself, having spent several formative years discovering the country, Cosh quietly observed. He saw the reconciliatory nature of the proceedings, sensed the inner reflections of those who had long ago traversed Ortona’s streets. But he also wondered if there could be something else beneath the surface.

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The limestone obelisk and revamped ampitheatre at Hill 70 Memorial Park in Loos-en-Gohelle, France. [hill70.ca]

Hill 70: On the eve of the important WW I battle, a look at Hill 70 Memorial Park

STORY BY RICHARD FOOT

It was in 2007, while touring Canada’s First World War battlefields with his family, that Mark Hutchings first set foot on Hill 70.

In startling contrast to the stunning memorial and grounds he had seen at Vimy Ridge, there was nothing to mark one of Canada’s most significant actions of the war except a nearby cemetery holding the graves of some of the 1,877 troops who died capturing Hill 70 in 1917.

“We went straight up the hill, and I stopped and said, ‘Hill 70, this is the highest feature—this must be it,’” recalled Hutchings. “And there was nothing there.”

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Former military medic Jessica Miller resigned from the Women Veterans Council in early January 2026. [Courtesy Jessica Miller]

Jessica Miller on the Women Veterans Council resignations

STORY BY ALEX BOWERS

Retired sergeant Jessica Miller believed in the cause, believed in the potential of the Women Veterans Council when it was launched on Jan. 29, 2025.

The body, explained the former military medic, was “based off one of the 42 recommendations in the Invisible No More report” from the previous year, a study undertaken by the standing committee on veterans affairs of the experiences, challenges and systemic barriers faced by women—past and present—in the Canadian Armed Forces. Miller had faith that change could finally be possible, and that serving on the council could help deliver it.

Not so, the now-ex-member says.

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